Kalin Serapionov The Museum – Cause Of Meeting And Acquaintance 1997, at the exhibition Grammar of Freedom / Five Lessons: Works from the Arteast 2000+ Collection at Moscow's Garage Museum of Contemporary Art.05.02.2015#2566944
The museum's employee puts letters devoted to the 1979 international artists strike at the exhibition Grammar of Freedom / Five Lessons: Works from the Arteast 2000+ Collection at Moscow's Garage Museum of Contemporary Art.05.02.2015#2566942
A visitor near Lana Čmajčanin's 551.35 - Geometry of Time 2014/15 installation at the exhibition Grammar of Freedom / Five Lessons: Works from the Arteast 2000+ Collection at Moscow's Garage Museum of Contemporary Art.05.02.2015#2566940
A visitor near Luchezar Boyadjiev's GastARTbaiter 2000-07 installation at the exhibition Grammar of Freedom / Five Lessons: Works from the Arteast 2000+ Collection at Moscow's Garage Museum of Contemporary Art.05.02.2015#2566939
Visitors at the exhibition Grammar of Freedom / Five Lessons: Works from the Arteast 2000+ Collection at Moscow's Garage Museum of Contemporary Art.05.02.2015#2566938
Nedko Solakov's Floor installation, 1996/2015 at the exhibition Grammar of Freedom / Five Lessons: Works from the Arteast 2000+ Collection at Moscow's Garage Museum of Contemporary Art.05.02.2015#2566936
Dmitry Prigov's Pulsing Black 1998 installation at the exhibition Grammar of Freedom / Five Lessons: Works from the Arteast 2000+ Collection at Moscow's Garage Museum of Contemporary Art.05.02.2015#2566935
A visitor at the exhibition Grammar of Freedom / Five Lessons: Works from the Arteast 2000+ Collection at Moscow's Garage Museum of Contemporary Art.05.02.2015#2566934
A visitor near the installation by Gorgona Group. Gorgona Anti-Magazine, 1961-66, at the exhibition Grammar of Freedom / Five Lessons: Works from the Arteast 2000+ Collection at Moscow's Garage Museum of Contemporary Art.05.02.2015#2566933
The museum's employee near the installation by Gorgona Group. Gorgona Anti-Magazine, 1961-66, at the exhibition Grammar of Freedom / Five Lessons: Works from the Arteast 2000+ Collection at Moscow's Garage Museum of Contemporary Art.05.02.2015#2566932
Ilya and Emiliya Kabakov's Twenty Ways to Get an Apple Listening to Mozart, 1997, at the exhibition Grammar of Freedom / Five Lessons: Works from the Arteast 2000+ Collection at Moscow's Garage Museum of Contemporary Art.05.02.2015#2566928
A visitor near Katarzyna Kozyra's The Bonds of Blood, 1995, at the exhibition Grammar of Freedom / Five Lessons: Works from the Arteast 2000+ Collection at Moscow's Garage Museum of Contemporary Art.05.02.2015#2566906
A visitor takes a photo of the installation at the exhibition Grammar of Freedom / Five Lessons: Works from the Arteast 2000+ Collection at Moscow's Garage Museum of Contemporary Art.05.02.2015#2566904
A visitor near Raša Todosijević's installation Special thanks to Raša Todosijević - the grateful citizens of Ljubljana, 2000, at the exhibition Grammar of Freedom / Five Lessons: Works from the Arteast 2000+ Collection at Moscow's Garage Museum of Contemporary Art.05.02.2015#2566903
Curator Snezana Krsteva at the exhibition Grammar of Freedom / Five Lessons: Works from the Arteast 2000+ Collection at Mosow's Garage Museum of Contemporary Art.05.02.2015#2566901
Curator Zdenka Badovinac at the exhibition Grammar of Freedom / Five Lessons: Works from the Arteast 2000+ Collection at Mosow's Garage Museum of Contemporary Art.05.02.2015#2566900
Curator Bojana Piskur at the exhibition Grammar of Freedom / Five Lessons: Works from the Arteast 2000+ Collection at Mosow's Garage Museum of Contemporary Art.05.02.2015#2566899
Curators Bojana Piskur, Zdenka Badovinac and Snezana Krsteva at the exhibition Grammar of Freedom / Five Lessons: Works from the Arteast 2000+ Collection at Moscow's Garage Museum of Contemporary Art.05.02.2015#2566898
