SPIEF-2026. Theatre as a Space for Experimentation: What Remains Constant?

06.06.2026#9184122

SPIEF-2026. Theatre as a Space for Experimentation: What Remains Constant? Kirill Krok, Director, Theater Named After Evgeny Vakhtangov

06.06.2026#9184118

SPIEF-2026. Theatre as a Space for Experimentation: What Remains Constant? Eldar Aliev, Artistic Director, Ballet Company of the Primorsky Stage of the Mariinsky Theatre

06.06.2026#9184116

SPIEF-2026. Theatre as a Space for Experimentation: What Remains Constant? Alexandr Malich, General Manager, National Drama Theatre of Russia (Alexandrinsky Theatre)

06.06.2026#9184115

SPIEF-2026. Theatre as a Space for Experimentation: What Remains Constant? Anna Kasatkina, Director of the Sevastopol State Opera and Ballet Theater; Vyacheslav Starodubtsev, Chief Director, Novosibirsk State Academic Opera and Ballet Theatre (NOVAT)

06.06.2026#9184113

SPIEF-2026. Theatre as a Space for Experimentation: What Remains Constant? Andrey Borisov, General Director, Musical Theatre Named After K.S. Stanislavsky and Vl.I. Nemirovich-Danchenko

06.06.2026#9184112

SPIEF-2026. Theatre as a Space for Experimentation: What Remains Constant? Grigory Zaslavsky, Rector, Russian Institute of Theatre Arts GITIS

06.06.2026#9184110

SPIEF-2026. Theatre as a Space for Experimentation: What Remains Constant? Constantine Kirillov, Director, Ryazan State Regional Puppet Theater

06.06.2026#9184108

SPIEF-2026. Theatre as a Space for Experimentation: What Remains Constant? Marina Brusnikina, Principal Director, Russian State Academic Youth Theatre

06.06.2026#9184105

SPIEF-2026. Theatre as a Space for Experimentation: What Remains Constant?

06.06.2026#9184104

SPIEF-2026. Theatre as a Space for Experimentation: What Remains Constant? Andrey Borisov, General Director, Musical Theatre Named After K.S. Stanislavsky and Vl.I. Nemirovich-Danchenko

06.06.2026#9184102

SPIEF-2026. Theatre as a Space for Experimentation: What Remains Constant? Vyacheslav Starodubtsev, Chief Director, Novosibirsk State Academic Opera and Ballet Theatre (NOVAT)

06.06.2026#9184100

SPIEF-2026. Theatre as a Space for Experimentation: What Remains Constant? Kirill Krok, Director, Theater Named After Evgeny Vakhtangov

06.06.2026#9184099

SPIEF-2026. Theatre as a Space for Experimentation: What Remains Constant? Grigory Zaslavsky, Rector, Russian Institute of Theatre Arts GITIS

06.06.2026#9184097

SPIEF-2026. Theatre as a Space for Experimentation: What Remains Constant? Elena Glukhovskaya, General Director, KASSIR.RU

06.06.2026#9184095

SPIEF-2026. Theatre as a Space for Experimentation: What Remains Constant?

06.06.2026#9184094

SPIEF-2026. Theatre as a Space for Experimentation: What Remains Constant? Eldar Aliev, Artistic Director, Ballet Company of the Primorsky Stage of the Mariinsky Theatre

06.06.2026#9184092

SPIEF-2026. Theatre as a Space for Experimentation: What Remains Constant? Anna Kasatkina, Director of the Sevastopol State Opera and Ballet Theater

06.06.2026#9184089

SPIEF-2026. Theatre as a Space for Experimentation: What Remains Constant? Kirill Krok, Director, Theater Named After Evgeny Vakhtangov

06.06.2026#9184086

SPIEF-2026. Theatre as a Space for Experimentation: What Remains Constant? Alexandr Malich, General Manager, National Drama Theatre of Russia (Alexandrinsky Theatre)

06.06.2026#9184081