Moscow. The 1984 picture Music by Maya-Nora Tabaka on display at the exhibition Not Forever: 1968-1985 at the New Tretyakov Gallery. The large-scale exhibition-survey Not Forever: 1968-1985 was conceived as the second part of a trilogy dealing with post-war Soviet art and including exhibitions about the three historical thaw periods, stagnation and perestroika. The exhibition included the following section: The Ritual and Power, Socialist Art, Religious Mysticism, Communities, History and the Time Stopped, The Countryside, Childhood and Disappearance. It also featured over 400 pictures, sculptures and drawings from Russian and foreign collections, as well as episodes from films, documentation of performances and archive materials.06.07.2020#6280874
Moscow. Bosco di Ciliegi CEO Mikhail Kusnirovich, founder of the annual Cherry Forest Art Festival, before opening of the exhibition Not Forever: 1968-1985 at the New Tretyakov Gallery. The large-scale exhibition-survey Not Forever: 1968-1985 was conceived as the second part of a trilogy dealing with post-war Soviet art and including exhibitions about the three historical thaw periods, stagnation and perestroika. The exhibition included the following section: The Ritual and Power, Socialist Art, Religious Mysticism, Communities, History and the Time Stopped, The Countryside, Childhood and Disappearance. It also featured over 400 pictures, sculptures and drawings from Russian and foreign collections, as well as episodes from films, documentation of performances and archive materials.06.07.2020#6280873
Moscow. The 1974 New Holofernes picture by Sergei Volokhov on display at the exhibition Not Forever: 1968-1985 at the New Tretyakov Gallery. The large-scale exhibition-survey Not Forever: 1968-1985 was conceived as the second part of a trilogy dealing with post-war Soviet art and including exhibitions about the three historical thaw periods, stagnation and perestroika. The exhibition included the following section: The Ritual and Power, Socialist Art, Religious Mysticism, Communities, History and the Time Stopped, The Countryside, Childhood and Disappearance. It also featured over 400 pictures, sculptures and drawings from Russian and foreign collections, as well as episodes from films, documentation of performances and archive materials.06.07.2020#6280852
Moscow. Curator Anastasia Kurlyandtseva before opening of the exhibition Not Forever: 1968-1985 at the New Tretyakov Gallery. The large-scale exhibition-survey Not Forever: 1968-1985 was conceived as the second part of a trilogy dealing with post-war Soviet art and including exhibitions about the three historical thaw periods, stagnation and perestroika. The exhibition included the following section: The Ritual and Power, Socialist Art, Religious Mysticism, Communities, History and the Time Stopped, The Countryside, Childhood and Disappearance. It also featured over 400 pictures, sculptures and drawings from Russian and foreign collections, as well as episodes from films, documentation of performances and archive materials.06.07.2020#6280848
Moscow. Bosco di Ciliegi CEO Mikhail Kusnirovich, founder of the annual Cherry Forest Art Festival, before opening of the exhibition Not Forever: 1968-1985 at the New Tretyakov Gallery. The large-scale exhibition-survey Not Forever: 1968-1985 was conceived as the second part of a trilogy dealing with post-war Soviet art and including exhibitions about the three historical thaw periods, stagnation and perestroika. The exhibition included the following section: The Ritual and Power, Socialist Art, Religious Mysticism, Communities, History and the Time Stopped, The Countryside, Childhood and Disappearance. It also featured over 400 pictures, sculptures and drawings from Russian and foreign collections, as well as episodes from films, documentation of performances and archive materials.06.07.2020#6280846
Moscow. Bosco di Ciliegi CEO Mikhail Kusnirovich, founder of the annual Cherry Forest Art Festival, before opening of the exhibition Not Forever: 1968-1985 at the New Tretyakov Gallery. The large-scale exhibition-survey Not Forever: 1968-1985 was conceived as the second part of a trilogy dealing with post-war Soviet art and including exhibitions about the three historical thaw periods, stagnation and perestroika. The exhibition included the following section: The Ritual and Power, Socialist Art, Religious Mysticism, Communities, History and the Time Stopped, The Countryside, Childhood and Disappearance. It also featured over 400 pictures, sculptures and drawings from Russian and foreign collections, as well as episodes from films, documentation of performances and archive materials.06.07.2020#6280845
Moscow. The 1981 picture Leonid Brezhnev Works on His Recollections by Tair Salakhov on display at the exhibition Not Forever: 1968-1985 at the New Tretyakov Gallery. The large-scale exhibition-survey Not Forever: 1968-1985 was conceived as the second part of a trilogy dealing with post-war Soviet art and including exhibitions about the three historical thaw periods, stagnation and perestroika. The exhibition included the following section: The Ritual and Power, Socialist Art, Religious Mysticism, Communities, History and the Time Stopped, The Countryside, Childhood and Disappearance. It also featured over 400 pictures, sculptures and drawings from Russian and foreign collections, as well as episodes from films, documentation of performances and archive materials.06.07.2020#6280841
Moscow. Left: Exhibition curator Yulia Vorotyntseva and visitors at the exhibition Not Forever: 1968-1985 at the New Tretyakov Gallery. The large-scale exhibition-survey Not Forever: 1968-1985 was conceived as the second part of a trilogy dealing with post-war Soviet art and including exhibitions about the three historical thaw periods, stagnation and perestroika. The exhibition included the following section: The Ritual and Power, Socialist Art, Religious Mysticism, Communities, History and the Time Stopped, The Countryside, Childhood and Disappearance. It also featured over 400 pictures, sculptures and drawings from Russian and foreign collections, as well as episodes from films, documentation of performances and archive materials.06.07.2020#6280838
Moscow. A woman visits the exhibition Not Forever: 1968-1985 at the New Tretyakov Gallery. The large-scale exhibition-survey Not Forever: 1968-1985 was conceived as the second part of a trilogy dealing with post-war Soviet art and including exhibitions about the three historical thaw periods, stagnation and perestroika. The exhibition included the following section: The Ritual and Power, Socialist Art, Religious Mysticism, Communities, History and the Time Stopped, The Countryside, Childhood and Disappearance. It also featured over 400 pictures, sculptures and drawings from Russian and foreign collections, as well as episodes from films, documentation of performances and archive materials.06.07.2020#6280835
Moscow. A woman visits the exhibition Not Forever: 1968-1985 at the New Tretyakov Gallery. The large-scale exhibition-survey Not Forever: 1968-1985 was conceived as the second part of a trilogy dealing with post-war Soviet art and including exhibitions about the three historical thaw periods, stagnation and perestroika. The exhibition included the following section: The Ritual and Power, Socialist Art, Religious Mysticism, Communities, History and the Time Stopped, The Countryside, Childhood and Disappearance. It also featured over 400 pictures, sculptures and drawings from Russian and foreign collections, as well as episodes from films, documentation of performances and archive materials.06.07.2020#6280831
Moscow. The 1972 picture Alexander Solzhenitsyn meets with Heinrich Theodor Böll at the Dacha of Mstislav Rostropovich by Vitaly Komar and Alexander Melamid on display at the exhibition Not Forever: 1968-1985 at the New Tretyakov Gallery. The large-scale exhibition-survey Not Forever: 1968-1985 was conceived as the second part of a trilogy dealing with post-war Soviet art and including exhibitions about the three historical thaw periods, stagnation and perestroika. The exhibition included the following section: The Ritual and Power, Socialist Art, Religious Mysticism, Communities, History and the Time Stopped, The Countryside, Childhood and Disappearance. It also featured over 400 pictures, sculptures and drawings from Russian and foreign collections, as well as episodes from films, documentation of performances and archive materials.06.07.2020#6280827
Moscow. Mosaic portraits of Leonid Brezhnev (1981) and Yekaterina Furtseva (1981) by Nadya Lezhe on display at the exhibition Not Forever: 1968-1985 at the New Tretyakov Gallery. The large-scale exhibition-survey Not Forever: 1968-1985 was conceived as the second part of a trilogy dealing with post-war Soviet art and including exhibitions about the three historical thaw periods, stagnation and perestroika. The exhibition included the following section: The Ritual and Power, Socialist Art, Religious Mysticism, Communities, History and the Time Stopped, The Countryside, Childhood and Disappearance. It also featured over 400 pictures, sculptures and drawings from Russian and foreign collections, as well as episodes from films, documentation of performances and archive materials.06.07.2020#6280825
Moscow. The 1985 picture Negotiating Table: Problem No. 1 by Sergei Ovsepyan on display at the exhibition Not Forever: 1968-1985 at the New Tretyakov Gallery. The large-scale exhibition-survey Not Forever: 1968-1985 was conceived as the second part of a trilogy dealing with post-war Soviet art and including exhibitions about the three historical thaw periods, stagnation and perestroika. The exhibition included the following section: The Ritual and Power, Socialist Art, Religious Mysticism, Communities, History and the Time Stopped, The Countryside, Childhood and Disappearance. It also featured over 400 pictures, sculptures and drawings from Russian and foreign collections, as well as episodes from films, documentation of performances and archive materials.06.07.2020#6280816
Moscow. The 1970 picture Twilight City by Vladimir Yankilevsky on display at the exhibition Not Forever: 1968-1985 at the New Tretyakov Gallery. The large-scale exhibition-survey Not Forever: 1968-1985 was conceived as the second part of a trilogy dealing with post-war Soviet art and including exhibitions about the three historical thaw periods, stagnation and perestroika. The exhibition included the following section: The Ritual and Power, Socialist Art, Religious Mysticism, Communities, History and the Time Stopped, The Countryside, Childhood and Disappearance. It also featured over 400 pictures, sculptures and drawings from Russian and foreign collections, as well as episodes from films, documentation of performances and archive materials.06.07.2020#6280814
Exhibition Not Forever: 1968-1985 at New Tretyakov Gallery Moscow. A woman visits the exhibition Not Forever: 1968-1985 at the New Tretyakov Gallery. The large-scale exhibition-survey Not Forever: 1968-1985 was conceived as the second part of a trilogy dealing with post-war Soviet art and including exhibitions about the three historical thaw periods, stagnation and perestroika. The exhibition included the following section: The Ritual and Power, Socialist Art, Religious Mysticism, Communities, History and the Time Stopped, The Countryside, Childhood and Disappearance. It also featured over 400 pictures, sculptures and drawings from Russian and foreign collections, as well as episodes from films, documentation of performances and archive materials.06.07.2020#6280811
Moscow. The 1978 two-figure composition Odysseus and Penelope by Brunhilde Epelbaum-Marchenko on display at the exhibition Not Forever: 1968-1985 at the New Tretyakov Gallery. The large-scale exhibition-survey Not Forever: 1968-1985 was conceived as the second part of a trilogy dealing with post-war Soviet art and including exhibitions about the three historical thaw periods, stagnation and perestroika. The exhibition included the following section: The Ritual and Power, Socialist Art, Religious Mysticism, Communities, History and the Time Stopped, The Countryside, Childhood and Disappearance. It also featured over 400 pictures, sculptures and drawings from Russian and foreign collections, as well as episodes from films, documentation of performances and archive materials.06.07.2020#6280809
Moscow. A woman visits the exhibition Not Forever: 1968-1985 at the New Tretyakov Gallery. The large-scale exhibition-survey Not Forever: 1968-1985 was conceived as the second part of a trilogy dealing with post-war Soviet art and including exhibitions about the three historical thaw periods, stagnation and perestroika. The exhibition included the following section: The Ritual and Power, Socialist Art, Religious Mysticism, Communities, History and the Time Stopped, The Countryside, Childhood and Disappearance. It also featured over 400 pictures, sculptures and drawings from Russian and foreign collections, as well as episodes from films, documentation of performances and archive materials.06.07.2020#6280808
Moscow. The 1978 picture Moscow Evening by Tatiana Nazarenko on display at the exhibition Not Forever: 1968-1985 at the New Tretyakov Gallery. The large-scale exhibition-survey Not Forever: 1968-1985 was conceived as the second part of a trilogy dealing with post-war Soviet art and including exhibitions about the three historical thaw periods, stagnation and perestroika. The exhibition included the following section: The Ritual and Power, Socialist Art, Religious Mysticism, Communities, History and the Time Stopped, The Countryside, Childhood and Disappearance. It also featured over 400 pictures, sculptures and drawings from Russian and foreign collections, as well as episodes from films, documentation of performances and archive materials.06.07.2020#6280806
Moscow. The 1984 masterpiece Potato Monument by Valery Maloletkov on display at the exhibition Not Forever: 1968-1985 at the New Tretyakov Gallery. The large-scale exhibition-survey Not Forever: 1968-1985 was conceived as the second part of a trilogy dealing with post-war Soviet art and including exhibitions about the three historical thaw periods, stagnation and perestroika. The exhibition included the following section: The Ritual and Power, Socialist Art, Religious Mysticism, Communities, History and the Time Stopped, The Countryside, Childhood and Disappearance. It also featured over 400 pictures, sculptures and drawings from Russian and foreign collections, as well as episodes from films, documentation of performances and archive materials.06.07.2020#6280798
Moscow. The 1974-1975 masterpiece Icon-Screen by Boris Orlov on display at the exhibition Not Forever: 1968-1985 at the New Tretyakov Gallery. The large-scale exhibition-survey Not Forever: 1968-1985 was conceived as the second part of a trilogy dealing with post-war Soviet art and including exhibitions about the three historical thaw periods, stagnation and perestroika. The exhibition included the following section: The Ritual and Power, Socialist Art, Religious Mysticism, Communities, History and the Time Stopped, The Countryside, Childhood and Disappearance. It also featured over 400 pictures, sculptures and drawings from Russian and foreign collections, as well as episodes from films, documentation of performances and archive materials.06.07.2020#6280790
Moscow. State Tretyakov Gallery General Director Zelfira Tregulova in front of mosaic portraits of Leonid Brezhnev (1981) and Yekaterina Furtseva (1981) during opening of the exhibition Not Forever: 1968-1985 at the New Tretyakov Gallery. The large-scale exhibition-survey Not Forever: 1968-1985 was conceived as the second part of a trilogy dealing with post-war Soviet art and including exhibitions about the three historical thaw periods, stagnation and perestroika. The exhibition included the following section: The Ritual and Power, Socialist Art, Religious Mysticism, Communities, History and the Time Stopped, The Countryside, Childhood and Disappearance. It also featured over 400 pictures, sculptures and drawings from Russian and foreign collections, as well as episodes from films, documentation of performances and archive materials.06.07.2020#6280776
Moscow. A woman visits the exhibition Not Forever: 1968-1985 at the New Tretyakov Gallery. The large-scale exhibition-survey Not Forever: 1968-1985 was conceived as the second part of a trilogy dealing with post-war Soviet art and including exhibitions about the three historical thaw periods, stagnation and perestroika. The exhibition included the following section: The Ritual and Power, Socialist Art, Religious Mysticism, Communities, History and the Time Stopped, The Countryside, Childhood and Disappearance. It also featured over 400 pictures, sculptures and drawings from Russian and foreign collections, as well as episodes from films, documentation of performances and archive materials.06.07.2020#6280775
Moscow. From right: State Tretyakov Gallery General Director Zelfira Tregulova and Russian Minister of Culture Olga Lyubimova visit the exhibition Not Forever: 1968-1985 at the New Tretyakov Gallery. The large-scale exhibition-survey Not Forever: 1968-1985 was conceived as the second part of a trilogy dealing with post-war Soviet art and including exhibitions about the three historical thaw periods, stagnation and perestroika. The exhibition included the following section: The Ritual and Power, Socialist Art, Religious Mysticism, Communities, History and the Time Stopped, The Countryside, Childhood and Disappearance. It also featured over 400 pictures, sculptures and drawings from Russian and foreign collections, as well as episodes from films, documentation of performances and archive materials.06.07.2020#6280771
Moscow. From right: State Tretyakov Gallery General Director Zelfira Tregulova and Russian Minister of Culture Olga Lyubimova before visiting the exhibition Not Forever: 1968-1985 at the New Tretyakov Gallery. The large-scale exhibition-survey Not Forever: 1968-1985 was conceived as the second part of a trilogy dealing with post-war Soviet art and including exhibitions about the three historical thaw periods, stagnation and perestroika. The exhibition included the following section: The Ritual and Power, Socialist Art, Religious Mysticism, Communities, History and the Time Stopped, The Countryside, Childhood and Disappearance. It also featured over 400 pictures, sculptures and drawings from Russian and foreign collections, as well as episodes from films, documentation of performances and archive materials.06.07.2020#6280757
Moscow. From right: State Tretyakov Gallery General Director Zelfira Tregulova and exhibition curators Yulia Vorotyntseva, Kirill Svetlyakov and Anastasia Kurlyandtseva during opening of the exhibition Not Forever: 1968-1985 at the New Tretyakov Gallery. The large-scale exhibition-survey Not Forever: 1968-1985 was conceived as the second part of a trilogy dealing with post-war Soviet art and including exhibitions about the three historical thaw periods, stagnation and perestroika. The exhibition included the following section: The Ritual and Power, Socialist Art, Religious Mysticism, Communities, History and the Time Stopped, The Countryside, Childhood and Disappearance. It also featured over 400 pictures, sculptures and drawings from Russian and foreign collections, as well as episodes from films, documentation of performances and archive materials.06.07.2020#6280742
Moscow. A woman visits the exhibition Not Forever: 1968-1985 at the New Tretyakov Gallery. The large-scale exhibition-survey Not Forever: 1968-1985 was conceived as the second part of a trilogy dealing with post-war Soviet art and including exhibitions about the three historical thaw periods, stagnation and perestroika. The exhibition included the following section: The Ritual and Power, Socialist Art, Religious Mysticism, Communities, History and the Time Stopped, The Countryside, Childhood and Disappearance. It also featured over 400 pictures, sculptures and drawings from Russian and foreign collections, as well as episodes from films, documentation of performances and archive materials.06.07.2020#6280733
