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Exhibition Not Forever: 1968-1985 at New Tretyakov Gallery

Moscow. Mosaic portraits of Leonid Brezhnev (1981) and Yekaterina Furtseva (1981) by Nadya Lezhe on display at the exhibition Not Forever: 1968-1985 at the New Tretyakov Gallery. The large-scale exhibition-survey Not Forever: 1968-1985 was conceived as the second part of a trilogy dealing with post-war Soviet art and including exhibitions about the three historical thaw periods, stagnation and perestroika. The exhibition included the following section: The Ritual and Power, Socialist Art, Religious Mysticism, Communities, History and the Time Stopped, The Countryside, Childhood and Disappearance. It also featured over 400 pictures, sculptures and drawings from Russian and foreign collections, as well as episodes from films, documentation of performances and archive materials.

#6280825
Exhibition Not Forever: 1968-1985 at New Tretyakov Gallery

Moscow. Left: Exhibition curator Yulia Vorotyntseva and visitors at the exhibition Not Forever: 1968-1985 at the New Tretyakov Gallery. The large-scale exhibition-survey Not Forever: 1968-1985 was conceived as the second part of a trilogy dealing with post-war Soviet art and including exhibitions about the three historical thaw periods, stagnation and perestroika. The exhibition included the following section: The Ritual and Power, Socialist Art, Religious Mysticism, Communities, History and the Time Stopped, The Countryside, Childhood and Disappearance. It also featured over 400 pictures, sculptures and drawings from Russian and foreign collections, as well as episodes from films, documentation of performances and archive materials.

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Exhibition Not Forever: 1968-1985 at New Tretyakov Gallery

Moscow. The 1985 picture Negotiating Table: Problem No. 1 by Sergei Ovsepyan on display at the exhibition Not Forever: 1968-1985 at the New Tretyakov Gallery. The large-scale exhibition-survey Not Forever: 1968-1985 was conceived as the second part of a trilogy dealing with post-war Soviet art and including exhibitions about the three historical thaw periods, stagnation and perestroika. The exhibition included the following section: The Ritual and Power, Socialist Art, Religious Mysticism, Communities, History and the Time Stopped, The Countryside, Childhood and Disappearance. It also featured over 400 pictures, sculptures and drawings from Russian and foreign collections, as well as episodes from films, documentation of performances and archive materials.

#6280816
Exhibition Not Forever: 1968-1985 at New Tretyakov Gallery

Moscow. The 1970 picture Twilight City by Vladimir Yankilevsky on display at the exhibition Not Forever: 1968-1985 at the New Tretyakov Gallery. The large-scale exhibition-survey Not Forever: 1968-1985 was conceived as the second part of a trilogy dealing with post-war Soviet art and including exhibitions about the three historical thaw periods, stagnation and perestroika. The exhibition included the following section: The Ritual and Power, Socialist Art, Religious Mysticism, Communities, History and the Time Stopped, The Countryside, Childhood and Disappearance. It also featured over 400 pictures, sculptures and drawings from Russian and foreign collections, as well as episodes from films, documentation of performances and archive materials.

#6280814
Exhibition Not Forever: 1968-1985 at New Tretyakov Gallery

Exhibition Not Forever: 1968-1985 at New Tretyakov Gallery Moscow. A woman visits the exhibition Not Forever: 1968-1985 at the New Tretyakov Gallery. The large-scale exhibition-survey Not Forever: 1968-1985 was conceived as the second part of a trilogy dealing with post-war Soviet art and including exhibitions about the three historical thaw periods, stagnation and perestroika. The exhibition included the following section: The Ritual and Power, Socialist Art, Religious Mysticism, Communities, History and the Time Stopped, The Countryside, Childhood and Disappearance. It also featured over 400 pictures, sculptures and drawings from Russian and foreign collections, as well as episodes from films, documentation of performances and archive materials.

#6280811
Exhibition Not Forever: 1968-1985 at New Tretyakov Gallery

Moscow. The 1978 two-figure composition Odysseus and Penelope by Brunhilde Epelbaum-Marchenko on display at the exhibition Not Forever: 1968-1985 at the New Tretyakov Gallery. The large-scale exhibition-survey Not Forever: 1968-1985 was conceived as the second part of a trilogy dealing with post-war Soviet art and including exhibitions about the three historical thaw periods, stagnation and perestroika. The exhibition included the following section: The Ritual and Power, Socialist Art, Religious Mysticism, Communities, History and the Time Stopped, The Countryside, Childhood and Disappearance. It also featured over 400 pictures, sculptures and drawings from Russian and foreign collections, as well as episodes from films, documentation of performances and archive materials.

#6280809
Exhibition Not Forever: 1968-1985 at New Tretyakov Gallery

Moscow. A woman visits the exhibition Not Forever: 1968-1985 at the New Tretyakov Gallery. The large-scale exhibition-survey Not Forever: 1968-1985 was conceived as the second part of a trilogy dealing with post-war Soviet art and including exhibitions about the three historical thaw periods, stagnation and perestroika. The exhibition included the following section: The Ritual and Power, Socialist Art, Religious Mysticism, Communities, History and the Time Stopped, The Countryside, Childhood and Disappearance. It also featured over 400 pictures, sculptures and drawings from Russian and foreign collections, as well as episodes from films, documentation of performances and archive materials.

#6280808
Exhibition Not Forever: 1968-1985 at New Tretyakov Gallery

Moscow. The 1978 picture Moscow Evening by Tatiana Nazarenko on display at the exhibition Not Forever: 1968-1985 at the New Tretyakov Gallery. The large-scale exhibition-survey Not Forever: 1968-1985 was conceived as the second part of a trilogy dealing with post-war Soviet art and including exhibitions about the three historical thaw periods, stagnation and perestroika. The exhibition included the following section: The Ritual and Power, Socialist Art, Religious Mysticism, Communities, History and the Time Stopped, The Countryside, Childhood and Disappearance. It also featured over 400 pictures, sculptures and drawings from Russian and foreign collections, as well as episodes from films, documentation of performances and archive materials.

#6280806
Exhibition Not Forever: 1968-1985 at New Tretyakov Gallery

Moscow. The Music masterpiece by Maya-Nora Tabaka on display at the exhibition Not Forever: 1968-1985 at the New Tretyakov Gallery. The large-scale exhibition-survey Not Forever: 1968-1985 was conceived as the second part of a trilogy dealing with post-war Soviet art and including exhibitions about the three historical thaw periods, stagnation and perestroika. The exhibition included the following section: The Ritual and Power, Socialist Art, Religious Mysticism, Communities, History and the Time Stopped, The Countryside, Childhood and Disappearance. It also featured over 400 pictures, sculptures and drawings from Russian and foreign collections, as well as episodes from films, documentation of performances and archive materials.

#6280807
Exhibition Not Forever: 1968-1985 at New Tretyakov Gallery

Moscow. The 1974-1975 masterpiece Icon-Screen by Boris Orlov on display at the exhibition Not Forever: 1968-1985 at the New Tretyakov Gallery. The large-scale exhibition-survey Not Forever: 1968-1985 was conceived as the second part of a trilogy dealing with post-war Soviet art and including exhibitions about the three historical thaw periods, stagnation and perestroika. The exhibition included the following section: The Ritual and Power, Socialist Art, Religious Mysticism, Communities, History and the Time Stopped, The Countryside, Childhood and Disappearance. It also featured over 400 pictures, sculptures and drawings from Russian and foreign collections, as well as episodes from films, documentation of performances and archive materials.

#6280790
Exhibition Not Forever: 1968-1985 at New Tretyakov Gallery

Moscow. The 1972 picture Alexander Solzhenitsyn meets with Heinrich Theodor Böll at the Dacha of Mstislav Rostropovich by Vitaly Komar and Alexander Melamid on display at the exhibition Not Forever: 1968-1985 at the New Tretyakov Gallery. The large-scale exhibition-survey Not Forever: 1968-1985 was conceived as the second part of a trilogy dealing with post-war Soviet art and including exhibitions about the three historical thaw periods, stagnation and perestroika. The exhibition included the following section: The Ritual and Power, Socialist Art, Religious Mysticism, Communities, History and the Time Stopped, The Countryside, Childhood and Disappearance. It also featured over 400 pictures, sculptures and drawings from Russian and foreign collections, as well as episodes from films, documentation of performances and archive materials.

#6280827
Exhibition Not Forever: 1968-1985 at New Tretyakov Gallery

Moscow. From right: State Tretyakov Gallery General Director Zelfira Tregulova and Russian Minister of Culture Olga Lyubimova before visiting the exhibition Not Forever: 1968-1985 at the New Tretyakov Gallery. The large-scale exhibition-survey Not Forever: 1968-1985 was conceived as the second part of a trilogy dealing with post-war Soviet art and including exhibitions about the three historical thaw periods, stagnation and perestroika. The exhibition included the following section: The Ritual and Power, Socialist Art, Religious Mysticism, Communities, History and the Time Stopped, The Countryside, Childhood and Disappearance. It also featured over 400 pictures, sculptures and drawings from Russian and foreign collections, as well as episodes from films, documentation of performances and archive materials.

#6280757
Exhibition Not Forever: 1968-1985 at New Tretyakov Gallery

Moscow. Exhibition curator Yulia Vorotyntseva before opening of the exhibition Not Forever: 1968-1985 at the New Tretyakov Gallery. The large-scale exhibition-survey Not Forever: 1968-1985 was conceived as the second part of a trilogy dealing with post-war Soviet art and including exhibitions about the three historical thaw periods, stagnation and perestroika. The exhibition included the following section: The Ritual and Power, Socialist Art, Religious Mysticism, Communities, History and the Time Stopped, The Countryside, Childhood and Disappearance. It also featured over 400 pictures, sculptures and drawings from Russian and foreign collections, as well as episodes from films, documentation of performances and archive materials.

#6280847
Exhibition Not Forever: 1968-1985 at New Tretyakov Gallery

Moscow. Curator Anastasia Kurlyandtseva before opening of the exhibition Not Forever: 1968-1985 at the New Tretyakov Gallery. The large-scale exhibition-survey Not Forever: 1968-1985 was conceived as the second part of a trilogy dealing with post-war Soviet art and including exhibitions about the three historical thaw periods, stagnation and perestroika. The exhibition included the following section: The Ritual and Power, Socialist Art, Religious Mysticism, Communities, History and the Time Stopped, The Countryside, Childhood and Disappearance. It also featured over 400 pictures, sculptures and drawings from Russian and foreign collections, as well as episodes from films, documentation of performances and archive materials.

#6280848
Exhibition Not Forever: 1968-1985 at New Tretyakov Gallery

Moscow. A woman visits the exhibition Not Forever: 1968-1985 at the New Tretyakov Gallery. The large-scale exhibition-survey Not Forever: 1968-1985 was conceived as the second part of a trilogy dealing with post-war Soviet art and including exhibitions about the three historical thaw periods, stagnation and perestroika. The exhibition included the following section: The Ritual and Power, Socialist Art, Religious Mysticism, Communities, History and the Time Stopped, The Countryside, Childhood and Disappearance. It also featured over 400 pictures, sculptures and drawings from Russian and foreign collections, as well as episodes from films, documentation of performances and archive materials.

#6280775
Aeroexpress restores train schedule

Social distancing marks at the Aeroexpress ticket counter at the Paveletsky Railway Station in Moscow. On June 8, Aeroexpress relaunched airport shuttles in Moscow cancelled due to Covid-19. Aeroexpress is taking all necessary precautions to ensure passengers' safety. All trains and passenger terminals are disinfected three times a day. Double-decker trains are equipped with air conditioning and disinfection systems. On regular trains, air is disinfected daily using portable UV lamps.

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